Imposed works
 
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For the instrumental sessions, candidates must study two new works specially written for the Queen Elisabeth Competition.

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Imposed work for the semi-final


Charlotte Bray has written the imposed work for the semi-final of the 2024 Violin Competition. The Sun and Her Flowers, for violin and piano, will be premiered on Monday 13 May at Studio 4 in Flagey. The candidates have received the score of this work after the preselection.





A few words from the composer about her work

The title is taken from Rupi Kaur’s stunning second collection of poetry. A childlike excitement about and response to the natural world fuels the piece: first discoveries, beautiful plants and wonderful creatures, incredible sights. It seeks to capture those innocent, emergent and happy moments; a joyous appreciation of nature and the world around us. Ultimately, the more we all care about it, the greater the drive for change. The piece is dedicated to my niece Poppy Madeline who was born on July 19th, 2022. I wonder how her generation will grow up and what changes the world will experience over her lifetime. Will a greater sense of care and compassion for the extraordinary planet we call home, be found quickly and sustained?


Imposed work for the final


After the semi-final, the finalists of the instrumental sessions are hosted for one week at the Queen Elisabeth Music Chapel, in particular to study without any outside help an unpublished concert piece. This year, the composition of this work has been composed by Thierry Escaich, a commission made possible thanks to the generous support of Mr. Rudolf Schülgen. The work itself will not be unveiled until the world premiere on the first day of the final, on Monday 27 May, at the Brussels Centre for Fine Arts. It will be interpreted by the twelve finalists, with the Belgian National Orchestra under the baton of Antony Hermus.


Both works will be released on CD and on the main streaming platforms.

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The Competition's CD's
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